by Mike Errico | Sep 1, 2021 | Music Lyrics and Life, Press, So Good, Teaching
PRE-ORDER HERE: AMAZON | BOOKSHOP | BARNES & NOBLE | TARGET | BOOKS ARE MAGIC Advance copies going out now (FYI: if you write reviews/ features/ podcasts, please hit us up for a review copy), and here’s what we’re hearing back: “Mike Errico opened my eyes to what songwriting could be. His methods took any fear I had of writing and turned it to fun and joy. He is the perfect guide to finding your voice.”—Blu DeTiger, recording artist “This is a manual for better living through creativity, and vice versa: playful, rigorous, challenging, inviting, weird, practical, mind-expanding, focused, and truly kind. It’s a genuinely loving book that overflows with soul and wisdom from a wonderful teacher and artist. I’m really blown away.”—Paul Giamatti, actor “A page-turning guide for creative problem entrepreneurs in any field, no matter the stage of their journey.”—Jake Schwartz, co-founder, General Assembly “Mike Errico possesses a keen understanding of how to teach something that simply cannot be taught. This is the book we’re all in need of.”—Madison Cunningham, recording artist “Mike Errico changed my life. His unwavering belief and support made it possible for me to take leaps of faith that otherwise felt impossible.”—Hana Elion, Overcoats “Mike Errico can inspire the most timid songwriter and invigorate the most tired. Using curiosity and practicality as tools of equal weight, he challenges readers to create without self-judgment. It was through his class that I started to think of songwriting as a practice.”—Mia Berrin, Pom Pom Squad “What a glorious life raft of a book. Songwriters, artists, anyone working in any creative arena will be inspired and lovingly stripped of their own art-killing excuses.”—Emily Flake, New Yorker cartoonist, author, essayist “Others may...
by Mike Errico | Jul 6, 2021 | Music Lyrics and Life, Press, So Good, Teaching
I’m so grateful to hear back from mentors and heroes on their reactions to the book. Here are the first to get back to me: “Others may have written Bibles on songwriting. This is the Talmud.” — Eric Bazilian, writer, “One of Us” (Joan Osborne); founding member of the Hooters; collaborator, Cyndi Lauper, Ricky Martin, Bon Jovi, LeeAnn Rimes, Jonatha Brooke “Songwriting is a mystical art, and Mike Errico joins all the dots, helping us visualize the process as well as igniting our passion for the ultimate freedom of creativity.” — Martin Page, cowriter, “We Built This City” (Starship); “King of Wishful Thinking” (Go West); writer, “In the House of Stone and Light”; collaborator, Chaka Khan, Heart, Earth, Wind & Fire, Robbie Williams, Josh Groban “Mike Errico’s book on songwriting (and more) is an inspirational tool and a wonderful reference for artists and musicians involved in a creative effort. Highly recommended.” — Patricia Barber, composer, songwriter; Guggenheim Fellow, Composition; American Academy of Arts and Sciences (2019) Music, Lyrics, and Life: A Field Guide for the Advancing Songwriter “The songwriting class you always wish you’d taken, taught by the professor you always wish you’d had.” Coming November 1, 2021 on Backbeat Books PRE-ORDER HERE: Amazon | Bookshop | Goodreads | Books Are Magic...
by Mike Errico | Apr 9, 2017 | audio, Press, So Good, Video
Long story short: Initially, I had planned on recording a five-song, tight, straightforward EP that I would be proud to give to you. However, as soon as we started recording, I knew something special was going on, and that an EP was not going to cut it. That’s not bragging, it’s just that when you do something long enough, you kinda get a feel for when it’s the real thing, and in this case it was obvious. It also meant that an EP was not going to cut it. So I crashed through the DEAD END sign and kept on driving. I now have a full-length record that is edgy, Americana-leaning, story-based, and deeply connected to all my work that came before it. Minor Fits is being fueled by a Pledge campaign, and I’m asking you to help me see it through to completion. In addition to the finished product, I’m psyched to offer a bunch of things I’ve been itching to give you, including many other studio and live recordings, podcasts, interviews with the people who worked on the record, a quarterly subscription to the all-new and still infamous Tallboy magazine, and more. You’ll be a part of the first-ever non-holiday expansion of the Holiday Omens, which is explained below. And hey, if you don’t see something that you want, just ask me. Let’s make this work. For decades, you have been there for me and I have tried to express my gratitude by making the best possible work I can. I hope you’ll join me now, and continue to play along. So that’s it. Let’s do this. Related show...
by Mike Errico | Feb 1, 2016 | So Good, Text Journalism
I went on CNN to talk about my piece in the New York Times, “Touring Can’t Save Artists in the Age of Spotify.” I’m wearing the suit I got married in. Here’s a segment on CNN’s site. Here’s a piece of the Times article: “Touring is, of course, the most ancient business model available to artists — and in many ways, it remains a vital part of their livelihood, even while the surrounding industry undergoes major upheaval to accommodate the new paradigm of streaming music. In response to the shift in revenue sources, standard recording contracts now intrude into the numerous nonrecording aspects of an artist’s career. But the advice given to the creative generators of this multibillion dollar industry is still one that would be recognizable to a medieval troubadour: Go on tour. And yet from a business standpoint, it’s hard to find a model more unsustainable than one that relies on a single human body. This is why we have vice presidents, relief pitchers and sixth men. When applied to music’s seemingly limitless streaming future, the only scarce resource left is the artists themselves. You would think the industry would protect such an important piece of its business model, but in fact, the opposite is true.” Read on at the New York...
by Mike Errico | Sep 25, 2015 | Free, So Good, Uncategorized
Don’t know if this is apocryphal, but I have heard parts of it quoted to me enough times that I’m willing to assume that most of it is 90% true. Yogi Berra Explains Jazz Interviewer: Can you explain jazz? Yogi: I can’t, but I will. 90% of all jazz is half improvisation. The other half is the part people play while others are playing something they never played with anyone who played that part. So if you play the wrong part, its right. If you play the right part, it might be right if you play it wrong enough. But if you play it too right, it’s wrong. Interviewer: I don’t understand. Yogi: Anyone who understands jazz knows that you can’t understand it. It’s too complicated. That’s what’s so simple about it. Interviewer: Do you understand it? Yogi: No. That’s why I can explain it. If I understood it, I wouldn’t know anything about it. Interviewer: Are there any great jazz players alive today? Yogi: No. All the great jazz players alive today are dead. Except for the ones that are still alive. But so many of them are dead, that the ones that are still alive are dying to be like the ones that are dead. Some would kill for it. Interviewer: What is syncopation? Yogi: That’s when the note that you should hear now happens either before or after you hear it. In jazz, you don’t hear notes when they happen because that would be some other type of music. Other types of music can be jazz, but only if they’re the same as something different from...
by Mike Errico | Feb 5, 2014 | Lessons, So Good
What a semester – In addition to continuing on at NYU’s Clive Davis Institute of Recorded Music, I’ve ALSO started teaching songwriting at Wesleyan University. The students are incredible, and I’m loving it. Tune in for music, shows, announcements, giveaways, videos and all that stuff, here: Facebook || Twitter || YouTube || Bandcamp || Tumblr || Pandora Tallboy 7, Inc. Box 20463 NY NY...