Dear Jack Conte, I’m Sorry No One Read Your Article Correctly

I don’t get into inside baseball here, but saw something that needed to be said, so I said it. Jack Conte from Pomplamoose recently wrote an article where he outlined his tour budget, concluding with the fact that, although the tour was successful on many levels, they lost money. It seems everyone jumped on one of two bandwagons: that music is dying, dying dead and all is lost and here’s the proof; and that if Pomplamoose can’t figure out how to create an accurate tour budget, they’re just idiots. The Internets took a-hold to these narratives, and added one – that it was a secret cover up to promote Conte’s startup, Patreon, or something – and the Echo Chamber took off, bouncing this horse hockey from URL to URL. Usually I’d watch the ping-pong match and shrug, but this annoyed me, because Conte was very clear in the management of his expectations. He invested in the show he wants to stage – and investment is very different than a loss. In the same way KISS could have saved a buck by cutting back on the blood packs (but didn’t), a larger concept was at work. I was shocked that no one seemed to read this with an eye toward self-actualizing artist development. Key being “self-actualizing,” because in a world with diminishing label development, self-reliance is the gold standard – not asking for permission, and doing what you have to do to create the art you want/need to create. So, it bugged me. So, I wrote something. Here it is. Dear Jack Conte, I’m Sorry No One Read Your Article...

Special Thanks: Stephen Trask, Bob Brockmann

Another amazing class at NYU’s Clive Davis Institute. These guys opened up about how they got their starts; how preparation made them ready for luck to happen; and how they have navigated the rapidly changing music environment. Funny, cutting and doggedly optimistic, they brought a semester’s worth of classwork to life. (L/R): Stephen Trask: Ex-music director of Squeezebox; composer of Hedwig and the Angry Inch which received eight 2014 Tony Award nominations, and won four. The movie version also received a Grammy nom, and he has gone on to score films including The Station Agent, Dreamgirls and Lovelace. http://stephentrask.com/ Bob Brockman: Producer, mixer, engineer based in Williamsburg, Brooklyn whose past clients include The Fugees, Notorious BIG, Craig Mack, Toni Braxton, Babyface, Cee-Lo Green, Christina Aguilera, Brandy, Mary J Blige and many others. He has 30 Grammy noms and two wins....
My New Essay Collection, “The Solo Show”

My New Essay Collection, “The Solo Show”

OK. This is big. The first installment of my essay collection, “The Solo Show,” just went live. They’ll be coming out bi-weekly, and there are many more to follow. The topics are pretty varied, but they always revolve, orbit and return to music, which is where we met. Good ol’ music. Yeah. Many of the stories will have embedded playlists that will enhance the story. Some of the songs will be mine, and some won’t. The idea is that you’ll click on them and listen as you read. It’ll be a full experience. A talking – or, singing – book. If you’ve ever been to my live show, you know that that’s where all this has stemmed from. In fact, it’s you who have given me the courage to take this step forward. You’ve requested stories, asked me to speak, to lecture, and even to teach. I’ve been so grateful, and this is an exciting step forward. Already, I’ve received emails back from early readers asking when I’ll be podcasting the series. Soooo…..I guess the answer is pretty soon…and thanks for asking. OK, so: If you like where this is going, PLEASE do what you can to push it out to others – share it, tweet it, Tumblr it, Pinterest it, email the link around to friends the way your crazy aunt does. You know the one. HERE GOES: The Solo Show: Musical Success, A...

Presentation at Stream-Tech Music Conference

Thanks to NYU, the Norwegian Consulate General, and organizer Stein Bjelland for inviting me to this conference to discuss how streaming is impacting artists and content creators. I talked a good bit, some of it was funny, some was definitely not, and I’m hoping to collect my notes and post them at a later date. For an itinerary of the day’s events:...
Mike Errico Holiday Show: Dec. 19th, Joe’s Pub

Mike Errico Holiday Show: Dec. 19th, Joe’s Pub

TIX ON SALE NOW: http://joespub.publictheater.org/en/Tickets/Calendar/PlayDetailsCollection/Joes-Pub/2014/M/Mike-Errico-Holiday-Show/?SiteTheme=JoesPub Related show Artist: Mike Errico Date: 12/19/14 Time: 7:00pm Venue: Joe’s Pub City: New York , NY Address: 425 Lafayette Street Venue phone: 212.967.7555 Country: United States Admission: $20 Box office: 212.967.7555 Notes: The Mike Errico Holiday Show is a highlight in a year that has been filled with them. While maintaining a career as a recording artist and producer for TV and film, he has been teaching at Yale University and NYU’s Clive Davis School of Recorded Music, where his guests have included Amanda Palmer, Benny Blanco, Jonathan Coulton, Ryan Miller, and others. In keeping with a long-standing Holiday Show tradition, Mike will distribute gifts, known as “Holiday Omens.” (For a full explanation, click here: http://www.errico.com/dear-mike-what-are-holiday-omens/) Recipients will be invited to interpret the Omen’s personal significance in the coming year. Hilarious, poignant or cautionary, they have proven to be alarmingly...